It is produced every 1st of the month throughout the year.

Once you have accepted the subscription Pay Pal lets us know and the current issue is emailed out to your email address you use with Pay Pal. 

The date of the month that you first take out the subscription is your subscription date. Once that date comes around again during the month Pay Pal takes the funds from your account and lets us know, the current issue is then emailed out to you. 

Pay Pal subscribers simply choose the un-subscribe button on the exact same page as the subscribe button you used in the first instance. Follow this link to your Pay Pal account. Debit/Credit card subscribers simply drop us an email with your request to cancel the subscription. 

We have subscribers from all area’s of the Film & TV industry. Camera Op’s, DOP’s, Make-up, Sound, Security Firms, Catering Firms, Agents, Agencies, Photographers, Chaperones, AD’s, the list goes on and on. Anybody connected the industry purchases ‘The Oracle’.

We try to obtain as much information on a production as possible for what stage they are at, whether it be in Pre-production or Development.

We aim to provide, Title, TV or Film, Shoot Date, Genre, Director, Producer, Line Producer, Pro-Manager, Casting Director, Production Company. Generic production email address. 

As of 2020 it is now against the data protection act to sell on personal email addresses. 

You get access to a lot of productions gearing up over the coming months that you may not of heard about without purchasing ‘The Oracle’. It is possible to find out about all the productions information that we provide but it is a lot of time to do this researching the web. The information we provide is our own private research and inside knowledge to produce the subscription. It’s this exact information that we use to find our next position.

Firstly, narrow down the lists to the things that you would find interesting and research a little further if you recognize some of the people involved. Maybe we have provided the Producers name or the LP, try track down their contact details, email address or mobile phone number. For crew roles it’s these people you need to get in touch with to see were they are up to with staffing certain positions. As you may or may not know not everyone is brought onboard at the same time, it depends on what type of Film or TV drama it is. Timing is key and it can prove to be very difficult to get it right. For anything that is not main crew connected like security or catering etc, normally contacting the production office itself is your best bet.